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The Gospel of Satan (16+)

Russia, 1992, colour, 79 min.
Director: Igor Grigoriev
It is a film about people, who for a long period of time were the “Stalin’s team”, his closest fellows – Molotov, Mikoyan, Voroshilov, Kaganovich, Beria, Kalinin. All of them were implementing his policies, one way or another, they fought against “diversionists and spies” inside the party and the country, sometimes acting against the happiness and fate of their families and friends, being pawns in Stalin’s Satanist political games. Different jokes and anecdotes about Stalin and his relationships with his team are blended seamlessly into the narration.

AWARDS

International Film Festival in Nyon (Switzerland, 1993) – Diploma.

Igor Grigoriev

Igor Grigoriev

a member of the Union of Cinematographers of the Russian Federation was born in 1944 in Yaroslavl, graduated from Russian State University of Cinematography (workshop of M. Roma) since 1972 worked at Central Studio for Documentary Film since 1998 is an art director of Risk Film Studio.

FILMOGRAPHY

(Selected Filmography) Master Vasiliy Bolshukhin, 1968; I Won’t Cry, 1969; Holidays of revolution, 1970; Water, 1972; Torpedo Sports Club, 1972; Right to Trust”, 1973; Innovators, 1974; Two People on Ice, 1974; A Duel, 1975; 30-year-olds, 1977; Olympic Games of 1980, 1981; Loyalty to the Earth, 1981; Thursday Bonfire, 1982; In the Main Direction, 1983; Eight Corners under One Roof, 1984; If You Want to be Unemployed, 1991; The Gospel of Satan, 1992; We Don’t Need Your Life, 1993; Men’s Job, 1996; A Dream, 1999; Every Year Comes the Spring, 2000; The Adventures of Joseph, the Shoemaker’s Son, 2002; Maximum Permissible Dose, 2005; Bullets for Petlyura, 2005; Kulaks of the 21st Century, 2006; Unbreakable Denisych, 2006; The Shield, 2007; Ilya Gutman. The Man of War and Peace, 2008; Partisans’ Children, 2011; The Clash of the Titans: Vatutin vs Manstein, 2016.
Russia, 1992, colour, 79 min.
Director: Igor Grigoriev
It is a film about people, who for a long period of time were the “Stalin’s team”, his closest fellows – Molotov, Mikoyan, Voroshilov, Kaganovich, Beria, Kalinin. All of them were implementing his policies, one way or another, they fought against “diversionists and spies” inside the party and the country, sometimes acting against the happiness and fate of their families and friends, being pawns in Stalin’s Satanist political games. Different jokes and anecdotes about Stalin and his relationships with his team are blended seamlessly into the narration.

AWARDS

International Film Festival in Nyon (Switzerland, 1993) – Diploma.