graduated in documentary filmmaking from Prague’s Film Academy (FAMU). In 2003 he and Filip Remunda founded Hypermarket Film, which focuses on the production of writer-director documentaries and, on principle, refuses to shoot commercials. The pair gained a measure of fame with Czech Dream (2004), a documentary comedy about an invented hypermarket; the film extensively toured the festival circuit and brought recognition at home and abroad. In this and other documentaries Klusák reveals a strong authorial hand based on the selection of socio-critical topics and the investigation of current affairs. But he’s also a director unafraid to be “seen” on camera, whether physically or in dialogue with the characters.

«Чешская мечта», 2004; «Медный век», 2010; «Чешский мир», 2010; «На благо всего мира и Ношовице», 2010; «Темница искусства», 2012; «Китлице, свободная комната», 2012; «Хороший водитель Сметана», 2013; «Госпел по Брабенеку», 2014; «Обнаженная нация», 2014; «В лучах солнца», 2015; «Чехи против чехов», 2015; «Мир по Далибореку», 2017.