Strictly Propaganda – the other side of the wall (16+)
Germany , 1991, 90 min.
Directors: С. Cay Wesnigk , Wolfgank Kissel
Directors: С. Cay Wesnigk , Wolfgank Kissel
In this fast moving compendium of East Germany's forty years, STRICTLY PROPAGANDA presents beaming workers and perfect children who populate a world so bizarre and surreal that one can't help but to reflect on the many forms propaganda can take.
С. Cay Wesnigk
С. Cay Wesnigk
was born in 1962. He studied visual communication at the University of Arts in Hamburg. 1987 he founded the C. Cay Wesnigk Filmproduktion. Since then he has written, directed and produced several feature length and short films. These have all been shown on television, some also have been distributed in cinemas and some also in the video home market. He was a participant and award winner of various international festivals.
FILMOGRAPHY
Selected filmography: «VIER WÄNDE», 1990; «Strictly Propaganda – the other side of the wall», 1991; «Das Vermächtnis des Jens Klipper», 1995; «Lux et Umbra», 1996; «Ballspiel», 1996; «BRINA BACKT», 1998; «Wolfgang Graf Berghe von Trips», 2007; «100 Jahre Stadt Bad Schwartau», 2012.
Wolfgank Kissel
Wolfgank Kissel
was born in Koblenz, Germany in 1963 He studied Communication Science in Munich and Visual Communication in Hamburg. In the cause of his studies he made several films, among them «Gummiwut» and «Little Willy». In 1989 he was DAAD Student at the filmschool in Potsdam Babelsberg. He worked as Assistans Director for Karl Gass on the production of the film «Nationalität Deutsch». Together with C. Cay Wesnigk he made the Kompilation Film «Kinder Kader Kommendeure» in 1991. Kissel is today a Professor for Film and Media-events at the Bauhaus University in Weimar.
Germany , 1991, 90 min.
Directors: С. Cay Wesnigk , Wolfgank Kissel
Directors: С. Cay Wesnigk , Wolfgank Kissel
In this fast moving compendium of East Germany's forty years, STRICTLY PROPAGANDA presents beaming workers and perfect children who populate a world so bizarre and surreal that one can't help but to reflect on the many forms propaganda can take.