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Kond (12+)

Armenia, 1987, colour, 37 min.
Director: Harutyun Khachatryan
Documentary about everyday life and serious social problems of one of the oldest districts of Yerevan called Kond. With its inhabitance Kond became the real object of longterm observation. The morning, the day, the evening, the night: waking up-daily cares-work-lunch-leisure-dream. But also wedening and burial, a fire and the birth of a child- the entire cycle of human existence. And this realitively general scheme is filled out with fragments of real life, which presents itself to the viewer from the most various aspects.

AWARDS

First Prize at Young Film-Makers Festival, Moscow, 1987; First Prize for the Best Documentary Film at «Molodost” IFF, Kiev, 1987; Honorable Mention by the Jury at 20th Nyon International Documentary Film Festival, October 1988; Prize for the Best Documentary Film at Sverdlovsk Documentary Film Festival, 1988; «The Best Film of the Year in the Soviet Union” Prize at Tbilisi Film Festival, Georgia, 1988.

Harutyun Khachatryan

Harutyun Khachatryan

was born in Akhalkalak (Georgia). In 1981 he graduated from the Film Division of the Department of Culture of the Armenian State Pedagogical University. In 1981-1986, he worked as an assistant to director and film-director at the Armenian Documentary Studio and in 1987 – 2005 he worked in Hayfilm aka Armenfilm Studio as Director and Producer.

FILMOGRAPHY

The Voices of the District, 1981; Hosted by the Commander, 1985; Chronicle of a Case, 1985; Three Rounds From Vladimir Yengibaryan’s Life, 1986; Kond, 1987; White Town, 1988; The Wind of Emptiness, 1989; Return to the Promised Land, 1991; The Last Station (Verjin Kayaran), 1994; Documentarist, 2003; Return of the Poet, 2006; Border, 2009; Endless Escape, Eternal Return, 2014; Deadlock, 2016.
Armenia, 1987, colour, 37 min.
Director: Harutyun Khachatryan
Documentary about everyday life and serious social problems of one of the oldest districts of Yerevan called Kond. With its inhabitance Kond became the real object of longterm observation. The morning, the day, the evening, the night: waking up-daily cares-work-lunch-leisure-dream. But also wedening and burial, a fire and the birth of a child- the entire cycle of human existence. And this realitively general scheme is filled out with fragments of real life, which presents itself to the viewer from the most various aspects.

AWARDS

First Prize at Young Film-Makers Festival, Moscow, 1987; First Prize for the Best Documentary Film at «Molodost” IFF, Kiev, 1987; Honorable Mention by the Jury at 20th Nyon International Documentary Film Festival, October 1988; Prize for the Best Documentary Film at Sverdlovsk Documentary Film Festival, 1988; «The Best Film of the Year in the Soviet Union” Prize at Tbilisi Film Festival, Georgia, 1988.