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Stuntwomen (18+)

Switzerland, 2022, colour, 84 min.
Director: Elena Avdija
Being thrown down a flight of stairs, hit by a car or beaten up is the everyday life for stuntwomen. We follow Virginie, Petra and Estelle during training sessions and on film sets in France and the US. What does all this pretend-violence do to their bodies and minds? There is always a trade-off between the desire to perform as realistically as possible and their own boundaries. Scenes with cars are spectacular, but the roles in which they are beaten up are much harder to watch. Few action movies have female heroes so they usually play the role of victims. Stuntwomen are hired to endure violence, while the task of their male colleagues is to inflict it.
Russian premier

Elena Avdija

Elena Avdija

was born in 1987. She has a degree in Sociology from École des Hautes Études en Sciences Sociales (School of Advanced Studies in the Social Sciences) in Paris.
After doing a Masters in documentary filmmaking at INA, she worked as an Assistant Director developing scripts for history documentaries. Stuntwomen is her first feature
length documentary.

FILMOGRAPHY

From Here or from There?, 2013; Option: Theater!, 2017; Stuntwomen, 2022.
Switzerland, 2022, colour, 84 min.
Director: Elena Avdija
Being thrown down a flight of stairs, hit by a car or beaten up is the everyday life for stuntwomen. We follow Virginie, Petra and Estelle during training sessions and on film sets in France and the US. What does all this pretend-violence do to their bodies and minds? There is always a trade-off between the desire to perform as realistically as possible and their own boundaries. Scenes with cars are spectacular, but the roles in which they are beaten up are much harder to watch. Few action movies have female heroes so they usually play the role of victims. Stuntwomen are hired to endure violence, while the task of their male colleagues is to inflict it.
Russian premier