Whore’s Glory (0+)
Germany, Austria, 2011, colour, 118 min.
Director: Michael Glawogger
Director: Michael Glawogger
The last film in a trilogy about work, which began with the documentary blockbusters “SlumWalks” / “Megacities” (1998) and “The Death of a Worker” (2004). Thailand, Mexico, Bangladesh – three countries, three languages, three religions. And prostitution.
“From the very start I was attached to the religious theme. Three religions and three cultures of the sale of the most expensive good that a religious woman owns. Of course, we could have made a section about some call girls in Vienna, but I can’t really imagine what you could film here apart from sex itself. But in these countries we are immersed in a specific context from the first frame”. Michael Glawogger.
“From the very start I was attached to the religious theme. Three religions and three cultures of the sale of the most expensive good that a religious woman owns. Of course, we could have made a section about some call girls in Vienna, but I can’t really imagine what you could film here apart from sex itself. But in these countries we are immersed in a specific context from the first frame”. Michael Glawogger.
Michael Glawogger
Michael Glawogger
Germany, Austria, 2011, colour, 118 min.
Director: Michael Glawogger
Director: Michael Glawogger
The last film in a trilogy about work, which began with the documentary blockbusters “SlumWalks” / “Megacities” (1998) and “The Death of a Worker” (2004). Thailand, Mexico, Bangladesh – three countries, three languages, three religions. And prostitution.
“From the very start I was attached to the religious theme. Three religions and three cultures of the sale of the most expensive good that a religious woman owns. Of course, we could have made a section about some call girls in Vienna, but I can’t really imagine what you could film here apart from sex itself. But in these countries we are immersed in a specific context from the first frame”. Michael Glawogger.
“From the very start I was attached to the religious theme. Three religions and three cultures of the sale of the most expensive good that a religious woman owns. Of course, we could have made a section about some call girls in Vienna, but I can’t really imagine what you could film here apart from sex itself. But in these countries we are immersed in a specific context from the first frame”. Michael Glawogger.