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Return of Alexander Sergeyevich to Russia (0+)

Russia, 2011, colour, 44 min.
Director: Dmitry Zavilgelsky
The main character of the film is Alexander Sergeyevich Ermakov, young Russian biologist that has been working in UK for 10 years on stem cells research guided by legendary Ian Wilmut, the man behind first mammal clone, the sheep Dolly. Everything seems fine, Sasha has comfortable life and work that he loves. But his big dream (strangely as it may seem for these days) is to use his brains for the Motherland. In Russia he meets family, friends and misunderstanding colleagues. Will Alexander Sergeyevich stay in Russia? The answer to this question arises throughout the film right in front of the camera.

Dmitry Zavilgelsky

Dmitry Zavilgelsky

родился в 1973 году в Москве. В 1995-м году закончил МГУ им. М. Ломоносова (факультет почвоведения). В1998-м – ВКСР (мастерскую режиссуры документального кино Л. Гуревича). В период с 1998-го по 2007 год снял более 20 документальных и научнопопулярных фильмов. Член Союза кинематографистов РФ, член Гильдии неигрового кино, выпускник российско-американской программы «Открытый мир».

FILMOGRAPHY

Избранная фильмография: «Он был почти что знаменит», 1998; «И откуда я такой», 1998; «И вновь я посетил…», 1997; «Другое лицо», 2002; «Этнография сновидений», 2004; «На кромке Бытия», 2003; «Пол Маккартни 73 часа в России», 2003; «Во всём прошу винить Биттлз», 2007; «Когда мы вернёмся…»
Russia, 2011, colour, 44 min.
Director: Dmitry Zavilgelsky
The main character of the film is Alexander Sergeyevich Ermakov, young Russian biologist that has been working in UK for 10 years on stem cells research guided by legendary Ian Wilmut, the man behind first mammal clone, the sheep Dolly. Everything seems fine, Sasha has comfortable life and work that he loves. But his big dream (strangely as it may seem for these days) is to use his brains for the Motherland. In Russia he meets family, friends and misunderstanding colleagues. Will Alexander Sergeyevich stay in Russia? The answer to this question arises throughout the film right in front of the camera.