+7 (342) 241-38-02
+7 (342) 241-38-02Call
RUS
Retrospective of Boris Karadzhev’s Films

We Shall Build Our New Myth… (0+)

Russia, 2007, colour, 39 min.
Director: Boris Karadzhev
We all loved the film about assault of the Winter Palace. We liked how “Aurora” fired at the palace breaking the way for revolutionaries climbing up the gateways. Nevertheless, in reality there was no need to assault the Winter Palace. Actually, all real events of the 17th October were much more prosaic. The new government needed to create their myth about the Great Revolution that could inspire the masses. All cultural resources were aimed at creation of this myth and above all cinematography which was called “the most important art”…

Boris Karadzhev

Boris Karadzhev

was born in Perm. He graduated from Perm State University and VGIK. He started his professional carrier at Perm television studio. During many years he collabprated as an author and director with various Film Studios and TV companies, took part in creation of over 60 films, as well as in a number of international projects. Between 2001-2006 he was the editor-in-chief of Russian Central Studio of Documentary Films (RCSDF). From 2002 he is a teacher at the documentary film directing class at VGIK.

FILMOGRAPHY

Selected filmography: «Skvorets» (The Starling), 2001; «The Courier of Words», 2002; «General’s captivity», 2002; «Maya Plisetskaya», 2003; «The Last Jew», 2003; «Let There Be Light!», 2003; «By The Walls Of «Moscow», 2004; «All our life is Sots Art», 2004; «The Banks of Rhine», 2005; «New Year Will Come Soon», 2006; «Unnatural Selection», 2006; «We Shall Build Our New Myth…», 2007; «Современники», 2007; «Composing Space», 2008; «Hubert in The Wonderland», 2009; «Modifiers of Time and Place», 2010; «On the Alleys of Central Park», 2011; «Evakuatsionnyy roman» (Evacuation romance), 2011; «Menu of 1945», 2012; «Writer «P». A Trial of Identification», 2013; «The Vicissitudes of Translation», 2014; «Throught the haze…», 2014.
Russia, 2007, colour, 39 min.
Director: Boris Karadzhev
We all loved the film about assault of the Winter Palace. We liked how “Aurora” fired at the palace breaking the way for revolutionaries climbing up the gateways. Nevertheless, in reality there was no need to assault the Winter Palace. Actually, all real events of the 17th October were much more prosaic. The new government needed to create their myth about the Great Revolution that could inspire the masses. All cultural resources were aimed at creation of this myth and above all cinematography which was called “the most important art”…