Someone Else’s Children (0+)
Russia, 2005, colour, 39 min.
Director: Pavel Petchenkin
Director: Pavel Petchenkin
These children are fragments of crashed families. They hinder in our life by destroying with their appearance the ideal picture of veneered with difficulty city streets. Year by year their number only increases giving warning about tragedies inside newly created society of equal opportunities. Who will collect fragments and what would we see in this newly collected mirror? Unfortunately we will see ourselves…
Pavel Petchenkin
Pavel Petchenkin
was born in 1956. When he was young he created slide-films and experimental video-poetic theatre. From 1985 he was assistant director at «Permtelefilm». In 1987 he founded one of the first independent film studios in USSR – Novy Kurs (New Course). He has made over 40 films as a director and producer. Petchekin has been awarded multiple international film festivals’ prizes. He is the initiator for creating in Perm and Perm Krai a system of media-education. He is the President of IDFF Flahertiana, a member of Russian Filmmakers Union, member of Russian Film Academy.
FILMOGRAPHY
«Thirst», 1989; «House With Windows In Silence», 1990, «Favourite», 1991, «Satan’s Ashes», 1992, «Makariev’s Day», 1992; «About Olya in Captivity», 1993; «Man Who Put Idea In», 1993; «Story of Tyurin, artist and victim», 1994; «Winner», 1995; «Game», 1997; «Pictures from the provincial comic’s life», 1997; «Volunteer Kats and Others», 2000; «Drug Addiction the Russian Way», 2000; «Love is all We Need», 2001; «Two Sons of Yaziili Kalimova. Winskaya Melodrama», 2002; «Vacation», 2004; «Alien Children», 2005; «Enthusiast’s travels», 2007; «Dancing Lesson», 2007; «Excursion», 2008; «Perm/PERMM», 2010; «Days of Red Angels», 2012, «Varlam Shalamov. Experience of a Youth», 2014.
Russia, 2005, colour, 39 min.
Director: Pavel Petchenkin
Director: Pavel Petchenkin
These children are fragments of crashed families. They hinder in our life by destroying with their appearance the ideal picture of veneered with difficulty city streets. Year by year their number only increases giving warning about tragedies inside newly created society of equal opportunities. Who will collect fragments and what would we see in this newly collected mirror? Unfortunately we will see ourselves…